Salto del Tequendama
2021. Acrylic and ink on linen.
I dreamt about the Salto del Tequendama but I have never been there before: I know the cascade only through the photographs and stories of my colleagues and friends which have got entangled within my dreams. In my dream, I dropped a video camera down the waterfall to record the fall: the camera stirred and turned immersed in the polluted waters of the Bogotá River. What I don’t remember is if I saw the camera falling in the distance while standing still or if I was falling along with it, dazzled in dirty waters. I imagined the pollutants in the water as lines of colours flowing close together. I woke up agitated. It was then when I realized that for some time, I had been falling too. The dream that provoked these paintings happened some months before stumbling into the work of Ailton Krenak. However, after reading Krenak, the lines of colour transformed into parachutes that slowed down the fall.
“Why are we so afraid of falling when fall is all we’ve ever done?,” asks the indigenous leader and thinker Ailton Krenak as a provocation not to be afraid, and to turn the act of falling into something exciting and edifying, perhaps even as an act of healing. He insists on the need to build “colourful parachutes” that help us to slow down and to allow our dreams and imagination to inform our actions.
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As exhibited in Live Streams at Art Exchange, Essex University. Colchester, UK